Kennedy Museum hosts Teaberry Press prints
by Carrie Lauer
For The Post
Even in this digital age of computers and the Internet,
Art Werger's ancient craft of intaglio printing serves a purpose.
Werger, a professor of printmaking in the School of Art, gave an
instructional presentation on the art form Jan. 18 at the Kennedy Museum
of Art.
Many artists and aspiring printmakers attended Werger's presentation,
which included everything from a description of the intaglio process to
a CD-ROM slide show of underwater prints.
"As a printing instructor, I'm always trying to teach about printmaking,"
Werger said. "So, it was a wonderful opportunity to be able to present
here."
Intaglio printmaking has been around since the 15th century. It is
the process of transferring an image from etchings in a metal plate onto
paper. Ink is applied into these etchings, and excess ink from the surface
is removed. Paper is then laid on the plate and rolled through a mechanical
press. From the pressure from the press, the paper is pushed into the
etched areas to create an intaglio print.
Intaglio requires craftsmanship to duplicate these images exactly,
and all work is done by hand. The oldest technique of the intaglio process
is engraving.
The exhibit is titled, "The Intimate Collaboration: Prints from the
Teaberry Press." The Teaberry Press is a unique printmaking workshop located
in San Francisco that produces only intaglio prints.
The shop is both owned and operated by artist Timothy Berry.
The exhibit's name is explained in a brochure about the press
as an "Intimate Collaboration" between artist and technician. The exhibit
has been showing since 1990 in various venues, and hosts prints by Berry,
as well as those by other artists.
Although there are many prints on exhibit, a few stand out. The "Spoon
Pier" etching by Claes Oldenberg is unique with its cartoon-like qualities.
"I Keep Foolin' Around" by William T. Wiley also received great attention
from gallery attendees. This work is a picture of an old attic or barn,
with a portion of a checkerboard as the focal point.
Werger said artists often choose the intaglio medium because of the
variety of techniques, embossment capabilities, potential for editions
and its rich tradition. The exhibit includes a variety of intaglio techniques
such as drypoint, etching, aquatint, soft ground, hard ground and photo-intaglio.
"Printmaking is closely related to cartooning, caricature and satire,"
Werger said. "It's all part of the intaglio tradition."
The Intimate Collaboration runs through Feb. 4 in the Kennedy Museum
of Art. The museum is open from noon to 5 p.m. on Tuesday, Wednesday and
Friday, noon to 8 p.m. on Thursday and 1 p.m. to 5 p.m. on Saturday and
Sunday. Admission and parking are free.
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