Dracula promises ballet with bite
by Jay Boehmer
FOR THE POST
Since Bram Stoker first published his classic vampire
tale in 1897, Dracula has gone through a variety of incarnations:
Bela Lugosi's unforgettable performance in the classic 1931 film, countless
children adorned in plastic fangs and black capes at Halloween and even
a sugary-sweet vampire theme cereal, Count Chocula.
For 100 years Dracula has been a permanent fixture of popular
culture. If the vampire icon can be infused with something as ridiculous
as a children's cereal then why not something as graceful as a ballet?
It has and it is coming to Athens.
Canada's Royal Winnipeg Ballet's performance of Dracula is
coming to Ohio University at 8 p.m. Friday at the Templeton-Blackburn
Alumni Memorial Auditorium. The performance is part of the 2000-01 Performing
Art Series and is sponsored in part by Hocking Valley Bank.
Since 1998, Canada's Royal Winnipeg Ballet's Dracula
has been touring the country, wowing both the press and public with its
blend of stunning special effects, elaborate costumes, a set designed
by Paul Daigle, a haunting original score by Gustav Mahler and graceful
dancing choreographed by Mark Godden.
The three-act ballet is an adaptation of Bram Stoker's chilling tale
of seduction, horror and blood and combines elements of theater, magic
and a wide range of dance styles. "It's ballet with a bite," according
to Canada's Royal Winnipeg Ballet's Web site, http://www.rwb.org. "Complete
with flying bats, dancing gargoyles and mysterious transformations."
"Narratives are always hard to do in dance," said senior dance major
and ticket holder for the performance, Ellen Carroll, "I'm curious how
they're going to pull off a complex story like Dracula using movement."
Tickets can be purchased at the Templeton-Blackburn Memorial Auditorium
ticket office from noon to 5 p.m. through Friday. The price is $10 for
students and $20 for general admission. Tickets are still available. The
theater holds 2,000 people and over 1,200 tickets have been sold for the
performance.
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