Coldplay

Parachutes
Parlophone/EMI Records Ltd.

FIVE STARS

The second British invasion began in the early 1990s with an influx of poppy bands like Oasis and grunge bands like Bush. Coldplay is the newest Brit Pop import, and it's arguably the most solid rock band from Britain since those four chaps from Liverpool.

Coldplay's debut album Parachutes is already a phenomenon in Great Britain. Since its European release on July 10, the album has topped the British album and singles charts. Most importantly, Q, the premier British music magazine, just named it the "Album of the Year." Finally, this album that gives Kid A a serious run for its money is available in the United States.

What's so special and amazing about this 10-song album? Well, for starters, its sound doesn't resemble any of the self-indulgent, industry-driven albums currently being released by American bands. Also, its mixture of strong vocals, melodic guitar riffs, piano melodies and strong rhythms surpass anything you might find on other Brit Pop albums.

Singer/guitarist Chris Martin is the captivating figure in Coldplay, and he also is responsible for performing the hypnotic piano backdrops that accompany most of the songs on Parachutes. Martin's singing style closely resembles that of the late great Jeff Buckley because his voice carries and bleeds pure soul. Sometimes his falsettos are comparable to Bono's vocals on the early U2 records.

"Yellow" is the most radio-friendly, straight-up rock number on the album. It's comfortably nestled in the middle of the album and provides a perfect gateway between the rockier first half and the more subdued second half. Ultimately, it's Martin demonstrating his ability to craft a gut-wrenching love song about his muse.

"Shiver" features some great guitar dueling between Martin and lead guitarist John Buckland. It's also the perfect summation of the rush of feelings that come along with wanting something you can't have. "So I look in your direction, but you pay me no attention. I know you don't listen to me, 'cause you say you see straight through me."

"Trouble" is the perfect example of Martin's ability to pour his soul into a song and provide dreamy piano notes at the same time. This song, along with the album's title track, almost mirrors the more modern, relaxing R.E.M. sound. In essence, most of Parachutes isn't meant for top 40 radio, but rather for sitting on your bed and contemplating life.

Even better is that the album closes with a melodic track that's bound to remain in your head for days. "Everything's Not Lost" is a song for those people who feel neglected and without hope.

All in all, from beginning to end, Coldplay never lets its musicianship falter on this album. Whether it be driving rock numbers or somber, moody songs, Parachutes never fails to maintain its strong momentum. If you feel like searching for a truly memorable example of great British rock, then order this album at your local record store.

- Chas J. Hartman