Coldplay
Parachutes
Parlophone/EMI Records Ltd.
FIVE STARS
The second British invasion began in the early 1990s
with an influx of poppy bands like Oasis and grunge bands like Bush. Coldplay
is the newest Brit Pop import, and it's arguably the most solid rock band
from Britain since those four chaps from Liverpool.
Coldplay's debut album Parachutes is already a phenomenon
in Great Britain. Since its European release on July 10, the album has
topped the British album and singles charts. Most importantly, Q,
the premier British music magazine, just named it the "Album of the Year."
Finally, this album that gives Kid A a serious run for its money
is available in the United States.
What's so special and amazing about this 10-song album? Well, for
starters, its sound doesn't resemble any of the self-indulgent, industry-driven
albums currently being released by American bands. Also, its mixture of
strong vocals, melodic guitar riffs, piano melodies and strong rhythms
surpass anything you might find on other Brit Pop albums.
Singer/guitarist Chris Martin is the captivating figure in Coldplay,
and he also is responsible for performing the hypnotic piano backdrops
that accompany most of the songs on Parachutes. Martin's singing
style closely resembles that of the late great Jeff Buckley because his
voice carries and bleeds pure soul. Sometimes his falsettos are comparable
to Bono's vocals on the early U2 records.
"Yellow" is the most radio-friendly, straight-up rock number on the
album. It's comfortably nestled in the middle of the album and provides
a perfect gateway between the rockier first half and the more subdued
second half. Ultimately, it's Martin demonstrating his ability to
craft a gut-wrenching love song about his muse.
"Shiver" features some great guitar dueling between Martin and lead
guitarist John Buckland. It's also the perfect summation of the rush of
feelings that come along with wanting something you can't have. "So I
look in your direction, but you pay me no attention. I know you don't
listen to me, 'cause you say you see straight through me."
"Trouble" is the perfect example of Martin's ability to pour his
soul into a song and provide dreamy piano notes at the same time. This
song, along with the album's title track, almost mirrors the more modern,
relaxing R.E.M. sound. In essence, most of Parachutes isn't meant
for top 40 radio, but rather for sitting on your bed and contemplating
life.
Even better is that the album closes with a melodic track that's
bound to remain in your head for days. "Everything's Not Lost" is a song
for those people who feel neglected and without hope.
All in all, from beginning to end, Coldplay never lets its musicianship
falter on this album. Whether it be driving rock numbers or somber, moody
songs, Parachutes never fails to maintain its strong momentum.
If you feel like searching for a truly memorable example of great British
rock, then order this album at your local record store.
- Chas J. Hartman
|